feat(drum_highway_3d): audio-reactive ambience + score FX overlay (D4) (#708)

- BG_STYLES port (off/particles/lights/geometric) into a renderOrder -1
  group; _bgGetAnalyser/_bgReadBands (stems-first, one-shot #audio
  fallback, permanent-failure latch, 5ms bands cache); Ambience
  intensity slider + Audio-reactive toggle; remounts on style/intensity/
  palette change and across kit-change scene rebuilds
- Score-FX overlay canvas (guitar drawScoreFx adapted to internal
  scoring): +1 pops at the struck lane, ring pulse every 10-combo,
  milestone bursts at 25/50/100, red wash on 3+ streak break; pooled,
  cleared when idle, removed in teardown
- butterchurn/image/video deliberately out of scope
- Tests: style id validation + FX defaults (15 total)

Co-authored-by: Claude Fable 5 <noreply@anthropic.com>

CHANGELOG.md

@@ -12,6 +12,7 @@ and this project adheres to [Semantic Versioning](https://semver.org/spec/v2.0.0
 
 ### Added
 - **3D Keys Highway: the anti-plastic pass — lacquered note gems, glossy piano-black keys, a studio environment, scene themes and a gradient sky (parity slice 3).** The note gems move to `MeshPhysicalMaterial` with a full **clearcoat** (roughness 0.32, clearcoat 1.0/0.18, envMapIntensity 0.9): a sharp lacquer highlight over the colored body instead of the old dead matte surface — glass, not plastic. What sells it is **image-based lighting**: the same procedural PMREM "studio" environment as the drum highway (dark room + cool overhead / warm+cool side light strips, no addon dependency) feeds `scene.environment`, so the **black keys finally read as glossy piano black** (roughness 0.55 → 0.22, envMapIntensity 1.3) with visible strip reflections, whites keep an ivory sheen (0.42/0.55), and the highway floor gets a stage sheen (roughness 0.9 → 0.55, metalness 0.15). The flat background becomes a **vertical gradient** (lighter above the horizon → theme color → darker toward the keyboard), and the guitar highway's **11 scene themes** arrive (same names/values — your look carries across instruments; `default` preserves the original keys palette; pitch-class note/key colors are never themed — themes own the scene, Synthesia colors own the notes). Plus **Cinematic lighting** (ambient 0.55/key 1.3, on by default) and a **Glow strength** slider multiplying the note glow, key approach-glow and the sustain consume-flash (0.5 = stock). All live-applying from the Graphics settings (`keys3d_bg_theme` + `keys3d_bg_*`); the PMREM target and gradient texture are disposed with the scene. Tests: theme-table id parity + default-look preservation + fallbacks (28 total).
+- **3D Drum Highway: audio-reactive background ambience + score effects (parity slice 4 — completes the drum side of the visual-parity epic).** The empty fog band behind the kit gains the guitar highway's **background ambience styles**: drifting **Particles**, palette-colored pulsing **Stage lights**, and slowly-tumbling wireframe **Geometric** shapes (plus Off) — driven by the same audio-analyser bridge the guitar uses (prefers the stems plugin's per-song analyser on sloppaks, falls back to a one-shot `#audio` tap; bass/mid/treble bands with a 5 ms cache), with an **Ambience intensity** slider and an **Audio-reactive** toggle (off = the styles animate on time only; a permanently-tapped `#audio` in a mixed split degrades the same way). The guitar's butterchurn/image/video styles are deliberately out of scope (vendored megabytes / upload plumbing; the style enum is extensible). And your combo finally talks back: a **score-FX overlay** (2D canvas over the WebGL scene, guitar `drawScoreFx` adapted to this plugin's internal scoring) draws rising **“+1” pops** off each scored lane, an **expanding ring pulse every 10-combo tier**, **milestone particle bursts** at 25/50/100 streak, and a brief **red flicker** when a 3+ streak breaks. Everything is settings-gated (Background ambience dropdown + intensity + reactive, Score effects toggle — all on by default, live-applying, `drum_h3d_bg_*` keys), pooled (zero per-frame allocation), and torn down with the scene across kit changes. Tests: bg-style id validation + FX defaults (15 total).
 - **3D Drum Highway: real materials + scene themes (parity slice 3).** The scene gets **image-based lighting**: a procedural PMREM "studio" environment (dark room + three emissive light strips — cool overhead key, warm/cool side fills; no vendored-addon dependency) feeds `scene.environment`, so the cymbals' metalness **finally reads as metal** (retuned to roughness 0.2 / metalness 0.85 / envMapIntensity 1.2 — the old 0.7-metalness look was matte because there was nothing to reflect), drumheads get a satin sheen, and the floor (roughness 0.95 → 0.7) catches the strips without turning into a mirror. **Scene themes arrive** — the same 11 theme names as the guitar highway (Midnight, Charcoal, Deep Purple, Forest, Warm Slate, Deep Focus, Deep Sea, Cathode, Cathode Green, Hearth) retint the background/fog, floor and lane stripes so your look carries across instruments; `default` preserves the original drum palette byte-for-byte, and piece colours stay with the existing Palette picker (themes own the scene, palettes own the kit). Plus **Cinematic lighting** (dimmer ambient / stronger key, on by default), a **Glow strength** slider (0–1, 0.5 = stock) multiplying every emissive base — notes, hit line, snare wires — and a **Lane vibrancy** slider driving stripe/halo/ghost-ring strength (the hit-FX approach highlight stacks on top). Everything applies live from the plugin settings (`drum_h3d_bg_theme` + `drum_h3d_bg_*` keys); the PMREM render target is rebuilt across kit-change renderer recreation and disposed in both teardown paths — and the floor/hit-bar geometry+materials that previously leaked on every kit change are now tracked and disposed too. Tests: theme-table parity with the guitar ids + default-look preservation + fallbacks (13 total).
 - **3D Drum Highway: hit FX — sparks, timing-colored lane flashes, kick camera pulse, approach glow, and open hi-hat notation (parity slice 2).** Striking a pad now *feels* struck: a pooled additive **spark burst** fires at the lane (ported from the guitar highway's Points-cloud system, pool 160), colored by **timing** — on-time green, early cyan, late amber (same `_timingHex` vocabulary as `highway_3d`, classified against the ±50 ms hit window with the inner 40% reading as on-time); with **Streak feedback** on, bursts grow with your combo. The **lane flash** feedback that was removed when note-recoloring landed is resurrected properly: pooled additive quads with a soft gaussian falloff light up the struck lane at the hit line (timing-colored; red for wrong-pad hits), and a **kick** hit fires triple amber bursts across the bar plus a subtle **camera dip + amber floor wash** that decays exponentially. Lanes also glow ahead of time: each stripe brightens as its next note approaches the hit line, so the eye is led to where the next hit lands. **Open hi-hat finally renders distinctly** — `hh_open` chart hits get a thin warm ring around the cymbal gem (standard notation's "o"), closing the long-standing TODO; the flag is orthogonal to accents/ghosts/flams so combined cues stack. All of it is settings-gated (Graphics → Hit sparks / Timing colours / Streak feedback / a 0–1 **Hit feedback intensity** slider driving flashes, approach glow and the kick pulse; everything on by default, `drum_h3d_bg_*` keys, live-applying) and GPU-frugal: every new visual is pooled or shares geometry/materials — zero per-note allocation on top of the per-frame notes rebuild, all registered in both dispose paths (kit-change renderer recreation included). Tests: timing-classifier boundaries + FX defaults added to `plugins/drum_highway_3d/tests/data_layer.test.js` (10 total).
 - **3D Keys Highway: hit FX — vibrant note gems, timing-colored sparks, and a hit-line that reacts to your playing (parity slice 2).** The washed-out note look is gone: gem opacity is now driven by a **Note vibrancy** slider (default 0.85 → opacity 0.92, up from a fixed 0.8; lane guides scale with it too, live-applying without a chart rebuild) and the resting emissive glow rises 0.08 → 0.22, so the falling notes finally read saturated against the dark floor. Scored key presses fire a pooled additive **spark burst** at the struck key (guitar-highway port, pool 96) **colored by timing** — on-time green, early cyan, late amber, classified against the ±100 ms window with the inner 40% reading as on-time (the timing delta is recovered from the matched note's key, so `judgeHit`'s tested contract is untouched); the per-pitch-class flame sprite keeps its identity color so pitch and timing stay separate signals. With **Streak feedback** on, bursts grow with the combo. The **hit line kicks brighter** for a beat on every scored press (exponential decay, scaled by a 0–1 **Hit feedback intensity** slider). All new controls live in the plugin's Graphics settings (on by default, `keys3d_bg_*` keys, live-applying), and the spark pool is disposed with the scene like every other GPU resource. Tests: timing-classifier boundaries, the noteKey time round-trip that the delta recovery relies on, and the new FX defaults (26 total).